September 24, 2023

I trace the origin of my connection to the culture war to the attacks on America from self-righteous, hot-headed revolutionary leftist rebels during the 1960s, a war on this side of the Pacific Ocean while one on the other side raged in Vietnam.

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A veteran of the Korean War, I had begun to make a life for myself and my family in the America I fought for – a vibrantly productive country where freedom of opportunity and of mind was open to all. Countless many had and continue to put their lives on the line for America, a nation endowed with the world’s best Constitution and supported by faith-centered religious leaders. That America, we were soon to learn, was in the cross hairs of its domestic enemies.

It was clear to me and wide-awake Americans that the enemies of this country, visibly striking at America’s values during the 1960s, had by the 1980s effectively declared a culture war. Those of us alert could see the leftist influence on our culture in the growing degradation of education, entertainment, literature, the arts, and morality – targets of Marxist revision.

The assaults on our culture and way of life were coming at a time when computer technology had advanced to a stage when it was possible to “desktop publish” what you worked on with a computer small enough to have at home. (The Internet had not yet stormed the public.) Together with a printer, I was able to publish what I wrote. And so I took to publishing newsletters that alerted subscribers to the activity of a growing cabal determined to undermine America’s tenets and values, in ways subtle and not so subtle. This was in keeping with my duty to “defend the Constitution of the United States against all enemies, foreign and domestic,” an oath I when I entered the military.

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Nothing, it seemed, was out of the reach of radical leftists in their drive to turn minds away from facts regarding almost anything you could name. Their fact-spinning and revisions of common knowledge and common sense provided me with topics for my newsletters.

To show, for example, how far the Left would go to undermine normal perceptions, in their drive to “revise reality,” I reported in a 1990 newsletter that a PBS video essay pointed out that the details in a Monet painting are triangles combining to form symbols that make political statements.

Image: Anthony J. DeBlasi

Strange. I thought I was looking at swirls of paint that came together to form images of lily ponds and cathedrals and harbors at sunrise. Was there something wrong with my eyes? Freud must have missed Monet’s triangles too, else he might have called them phallic symbols writhing in a sea of repressed desire.

Then came the news that Mozart’s opera Le Nozze di Figaro (The Marriage of Figaro) wasn’t a comic opera but a cry for political freedom, revising two centuries of critical review of that opera – this from arts guru Peter Sellars.

Attempted deconstructions of common knowledge and experience were generally more blunt and direct than this. Undercutting the way we look at things was and continues to be a deceptive tactic of deconstruction for changing minds and attitudes, a life-changing tactic that is most effective on those who have not been totally dumbed down.

The history of the attacks on American culture from the Left is beyond the scope of an essay. The following sample list of themes of my newsletters, however, can point to some of the issues over which the culture war has been fought. It’s been a conflict between enemies of America, most of them following Marxist rules, and the vast majority of Americans following Judeo-Christian principles. The result has been a deep and factitious division among Americans.